Custom video content for arena LED walls, corporate stages, and stadium-scale screens. Built to your pixel map, your resolution, your run-of-show — and delivered in formats your media server actually wants.
LED wall content is its own discipline. It's not motion graphics scaled up. It's not a music video looped twice. It's stage content built to live behind performers, alongside lighting cues, and inside a media server's playback pipeline — at native resolution, with dead-on color, and zero compression artifacts when your front rows are 12 feet from the panel.
We've built the visual content for arena tours, corporate keynotes, and stadium-scale benefit shows — including Dude Perfect's Pound It Noggin Tour (2019 / 2021), Alan Jackson's Last Call Tour (2022 — 2026), and Josh Turner's That Country Music Thing (2026). Every project starts with the room: pixel pitch, panel layout, audience geometry, and the cue list your show calls for.
Whether the call is for ten minutes of looping ambient texture or a 90-minute custom run-of-show, the deliverable is the same: spec-correct, color-accurate files your team can drop straight into the show.
Every show has different math. Tell us your panel resolution, aspect ratio, and media server, and we'll deliver to it. Below is the technical envelope we work in by default.
The questions we get asked most by event producers, tour managers, and corporate event teams.
Whatever your media server expects. We match codec, wrapper, color space, and gamma to your show pipeline — and ship redundant backup formats on request. Tell us your server and your settings; the files arrive ready to drop in.
Yes. Send us the panel layout in any format you have it — and we'll render content to that exact canvas. Safe areas marked for performers, risers, and edge bleed.
Available on request. We can be on-site from tech rehearsal through show day for live tweaks, quick-turn revisions, and content QC on the actual wall. Travel and per diem billed at cost. For tours, we can hand off to your media server operator with full documentation if you don't need us riding along.
For minor tweaks (timing, color, simple swaps), we keep a fast-turn pipeline ready and can deliver inside an hour. For larger changes, we'll flag the trade-off honestly — what's possible inside the timeline, what isn't, and what we'd recommend instead.
Depends on scope. A 30-second transition pack — 2 weeks. A full tour content package (45–90 min of content across 30+ deliverables) — 8–12 weeks. We don't take on jobs we can't ship on time.
That's most of our work. Ultra-wide stage walls, curved LED, ceiling rigs, perimeter ribbons, side screens, scenic LED elements. Send geometry, get content built to fit.
Yes. Content can be delivered as discrete cues triggered by your show control system, as a fully timecoded master (SMPTE LTC), or as cue-able loops your operator can trigger by hand. Tell us how the show is run — files come built for it.
Project-based for full tours and shows (we quote a flat fee against a defined scope). Hourly or per-deliverable for ongoing retainers and one-off transitions. Either way, you get the number up front, and we don't bill overages without conversation.
Maybe. We've scoped from a single transition pack for a corporate keynote up to a full arena tour. If your show is small, tell us what you're working with — we'll either scope a fit or refer you to someone who's a better match.
Tell us your event date, screen specs, and scope. We respond within one business day.
